When I was in sixth form, I started a performance diploma course at Newcastle Conservatorium. It was a great experience, but I didn't last the year out.
I remember being nervous playing in this concert: but I still love playing the second movement of Beethoven's Sonata in E Flat major, op 7. The whole sonata is a terrific piece of music.
A girl called Joan Sims played the Caprice from Bach's Partita in C Minor.
Anne Moss was a Christian girl and once took Joan and myself to a youth meeting (if I remember correctly) at St Augustine's church in Merewether. I adore the Chopin Scherzo in B Flat Minor. She played it so well, showing off its beauty and drama. I wonder whatever happened to Anne?
The next year, I attended a concert where William Coombes sang. He was a wonderful singer, and sang so naturally. We were privileged to hear him sing Vaughan Williams' Songs of Travel, and later the solo part in the Fauré Requiem.
It was 13th August, the day that Joan Sims got her driver's licence. I congratulated her, shaking her hand, which was rather courageous of me.
We sat together in the concert, which I enjoyed very much.
One month later, I bought Joan a present for her 18th birthday, which was Don Burrows' Just The Beginning, because I was hoping that this was just the beginning of our friendship.
It was the first Australian jazz recording to "go gold", and sell ten thousand copies.It has been made a part of The National Registry of Recorded Sound. Two of my favourite tracks are the first one, Passing the Bach and the group's terrific arrangement of Tárrega's Recuerdos, featuring the familiar intricate guitar part, but also Don Burrows' wonderful alto flute playing.
Before long, this beautiful girl played Debussy's First Arabesque for me. I was taken aback by the sensitivity in her playing. I had little nuance in my playing before I met Joan. I've certainly learnt plenty from my piano teachers, but more from Joan, who is a wonderful musician and teacher.
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Showing posts with label William Coombes. Show all posts
Showing posts with label William Coombes. Show all posts
Saturday, September 15, 2012
Friday, August 31, 2012
PAGE TWENTY-ONE: music in our house
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| Christopher, David, Malcolm, Robin, Margaret and Sheena McKay |
When I think of my brother Christopher, I remember playing this movement from Bach's Cantata BWV 140 together: I played piano, while he played the lower part on bass guitar. I've still got the music we used ... somewhere. Christopher used to call it Watch it, oaf!
I hope you enjoy this pleasant performance by Steve Howe and friends. I never knew that he was venturing beyond Prog Rock until I hunted for a nice video to share.
I can remember each of my brothers and sisters singing, but Malcolm was the one with the best voice. He followed me to the Newcastle Conservatorium and learnt from the best singer there, I thought. I always loved hearing William Coombes sing: he sounded so natural. Malcolm used to sound great singing Purcell's Man is for the woman made. He has a baritone voice. All of the recordings I can find are sung by tenors or countertenors. But I think Paul Agnew does it justice.
We had a bakelite radio which looked a little like this one, but it was cream, not black and pink. We heard so much great music on that modest AM radio.
The first piece of popular music that arrested me was Lloyd Price singing Personality. I think Mum was bemused by how much it captivated me. I first heard it in about 1959 and it still gets my heart racing.
I often think of Robin singing the hook of Hello, Hello: who's your lady friend? but I don't know where she got it from. It is a very old piece of music, Youtube reveals.
Margaret used to enjoy listening to the old radio, and I remember her singing along to Dinah Lee's version of Don't You Know, Yockomo?
But although Christopher, Malcolm, Robin and Margaret may have forgotten these pieces of music which I associate with them, I'm confident that Sheena remembers this song, though she was a fan a bit later than when she was photographed with her brothers and sisters for the picture I've headed this page with.
Sheena loved Suzi Quatro, and I think she still does. And what is more quintessentially Suzi Q than Devilgate Drive?
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